Thierry VAN BIESEN's Photogrpahy at Marianne Nems Gallery NY
Of Lebanese and Belgian origin, Thierry Van Biesen was born in
                  Beirut in 1965. When he was 10 years old, the Lebanese civil war
                  broke out and changed his life dramatically. In order to survive
                  the horrors all around him, he suppressed the violence and developed
                  a way of seeing that was unusually optimistic and uplifting. Little
                  did he know that this selective filter would consciously be applied
                  to his work years later.
At the age of 16, Thierry’s father sent him to Belgium in order
                  to distance him from the war. A few years later, he landed at Polytechnic
                  Institute where he was destined for a career in mathematics and
                  engineering. It’s here that he first began to take photographs.
                  The lab owner who processed his first roll of images was so impressed
                  by his natural aptitude for composition and color that he encouraged
                  him to nurture his innate talent. 
In 1989, Thierry moved to New York to assist prestigious photographers
                  Ralph Gibson, Sarah Moon, Duane Michals, Art Kane and Arthur Elgort.
                  They gave him insight into their mastery and inspired him to think
                  about his own visual style. Thierry then returned to Beirut where
                  he opened his first commercial photo-studio with friend and world-renowned
                  photojournalist Patrick Baz. The studio reinforced his technical
                  skills and gave him the opportunity to shoot a wide range of subjects
                  for advertising clients including KODAK, SEIKO, PLAYTEX, MARLBORO,
                  TANG, PROCTER & GAMBLE and numerous local Lebanese businesses.
                  In 1997, he moved to London to “play with the big boys.” It’s here
                  that the realm of fashion photography offered him the opportunity
                  to start cultivating his personal style and experimenting with
                  a visual language infused with his signature buoyancy. 
Thierry’s vision was instantly recognized,
                  and he soon collaborated with major fashion magazines such as TANK,
                  MINED, ELLE Japan, DON’T TELL IT, MADAME FIGARO, JALOUSE, DEALER
                  DELUXE, IT, AD!DICT!, MARIE- CLAIRE, ZINK! And OMEN. The recognition
                  that his fashion photography brought him attracted worldwide advertising
                  clients including SONY, AMAZON.COM,
                  FIAT cars, SOCIETE GENERALE, GUINNESS, CASTELBAJAC PERFUME, ISSEY
                  MIYAKE, KATE SPADE, MACY’s, OLD NAVY, NEIMAN MARCUS, SHINSEGAE
                  department stores in South Korea              and CLUB MEDITERRANEE.
In 2000, his work was exhibited alongside Guy Bourdin, Patrick
                  Demarchelier, Steven Klein, Nick Knight, Peter Lindbergh, Herb
                  Ritts, Paolo Roversi and 50 others as part of the group exhibition
                  “Archeology Of Elegance” at The Hamburg Museum Of Modern Art. Dealing
                  with the correlation between art and fashion, the exhibition included
                  the most succinct and influential photographers of the 80s and
                  90s.Convinced that those who change the world for the better are the dreamers, not the cynics, Thierry continues to create imagery that vibrates with joy, movement and poetry. Collaborating again with Patrick Baz, he’s revisiting his past with an exhibition for the 2013 Festival of War Photography in Bayeux, France. By modifying Patrick’s hyper real images of war, Thierry will finally be able to share his revisionist version of the Lebanese civil war, one filled with nonchalance and oblivion.
 
 
 
 
 
No comments:
Post a Comment