…loves you more every day.
Comic, surrealist, role-playing psychological explorations,
with a tip of the hat to Breton, Carrington, and Lucha Libre, among
others.
Pixel Pancho (photo © XAM)
Mexico City culture can be as varied and diverse as it is
homogeneous, with a respect for tradition and, when it comes to artistic
expression, a catalyst for exploration. André Breton is reported to
have described Mexico as “the most surrealist country in the world,”
where painters like Leonora Carrington and Frida Kahlo unhinged their
imaginations from the limitations of the material world. As these new
images on the streets of Mexico City taken by Brooklyn architectural
street artist XAM show, the love for a psychic automatism continues into
the public sphere.
Of course the Mexicans are not strangers to art on the streets;
“great Latin American muralists” is a phrase almost synonymous with
Mexico and names like Rivera, Orozco and Siqueiros coming to mind.
Political advocacy and populist criticism of social policy on the walls
here is similarly a tradition respected by the culture. Now a century
after the revolution and birth of the modern Mexico, the experience of
Los Capitalinos, as the residents of Mexico City are called, is affected
daily by surrealism, pop culture and global capitalism swimming
alongside folk and historical symbology, and a bit of anarchy. It’s all
part of one fabric, a rich and varied textile that we export to you
here.
Ben Eine (photo © XAM)
Says XAM of his experience, “Barcelona, NYC, Amsterdam, and Paris
are all similar in a way when it comes to street art – you can walk
around and come across work on the streets fairly easily, but traversing
the barrios of Mexico city is much different. I guess in some way you
can compare it to San Francisco, Chicago or Los Angeles – there is
quality work to be found. The city differs from all mentioned in that it
appears to be young when it comes to street art by having a small group
of participants.”
“I was hosted by both MUMUTT Arte and Museo del Juguete Antiguo
Mexico, who are both responsible for providing concrete canvases in
Mexico City for artist such as ROA, M-City, Pixel Pancho, and fresh
stuff from the locals like Saner, Sego and the MOZ crew. Mexico City DF
has the most museums in the world and MUMUTT and Museo del Juguete are
largely responsible for adding street art to the vast archive of amazing
work. They escorted me around to locations they provided for the above
artists – It is evident that everyone brought their A-game. The
weathered concrete walls made wonderful surfaces for imagery such as
Dronz & Koko’s character, offering hallucinatory candy at the toy
museum to Ben Eine’s work that speaks about class issues on a worksite
for a future mall.”
Ben Eine (photo © XAM)
Pixel Pancho (photo © XAM)
Pixel Pancho (photo © XAM)
Liqen (photo © XAM)
Jaz (photo © XAM)
Saner (photo © XAM)
Saner (photo © XAM)
Saner in collaboration with Bastardilla (photo © XAM)
Samurai . Ceci (photo © XAM)
Roman (photo © XAM)
Roman . Acute (photo © XAM)
ROA (photo © XAM)
Meah (photo © XAM)
Broken Crow (photo © XAM)
MCity (photo © XAM)
MCity (photo © XAM)
Moz Crew (photo © XAM)
Moz Crew (photo © XAM)
Moz Crew (photo © XAM)
Kokor . Dronz (photo © XAM)
Bimek . Done (photo © XAM)
Bue (photo © XAM)
Ever (photo © XAM)
SBTG. The artist worked on this piece on commission to promote an
event sponsored by a shoe company. We like the placement. (photo © XAM)
Click on the links below to read our previous stories of MAMUTT Arte
and MUJAM and to learn more about their work in Mexico City:
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